Travels in France

Accounts found in the Saturday Evening Post show that Paris was painted in stars and stripes July 4, 1918. Parisians lined the streets to catch a glimpse of the American soldiers-the very same ones who had so bravely defended the road to Paris at Chauteau Thierry from Prussian troops. Perhaps it was because they had been thrown into the forefront of the line, but the Americans were highly unaware of what their resistance had done for the rest of the Allied troops. After four years of misery, the French thought what better compliment could be paid to the Devil Dogs than to celebrate America’s Independence Day the same way it was back home? Paris saw itself as home to a Red Cross sponsored parade, where, led by a French battalion of veterans, American soldiers paraded from Place de la Concorde to the Champs Elysee and then all the way down L’Avenue du President Wilson; their band playing “Over There” as the crowds went wild with enthusiasm.







Did women have a Great War?

Paper for Legacy of World War I conference, Chestnut Hill College, November 14-15, 2014

Did Women Have A Great War?
Alma. A. Clake's Memories of France 1918


Michelle Moravec, Ph.D.
Rosemont College Student Participants:
Jenna Kaiser, Mary Manfredi, Anna Nuzzolese, Kyle Robinson, Eve Romanowski, Marygrace Urmson.
Villanova University graduate student Christina Virok

All images courtesy Alma A. Clarke papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

with gratitude to Holly Mengel and PACSCL Hidden Collections Processing Project

website: clarke.rdigitalh.org .
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In Women and World War I  Susan Grayzel argues persuasively that historians have not yet answered the question did “Did women have a great war” because they bifurcate the first world war “as either being ‘good’ or ‘bad’ for women” rather than portraying “the complexity and diversity of women’s experiences.” As a way of getting at those experiences, this paper explores tropes of sacrifice and sisterliness wrapped up in the ideal of service as they appear in the scrapbook of Alma Adelaide Clarke, an Auxiliary Nurse in American Red Cross Military Hospital No. 1 in Neuilly Sur-Seine from the fall of 1918 to February of 1919.

Born in 1890 in Paris France to the well-known artist Thomas Shields Clarke, Alma Adelaide Clarke led a privileged life. At some point, she became involved in the Froebel League, a progressive organization that offered mother’s classes and sponsored kindergartens, but beyond that I have found little information about her life before the war.

Clarke had been touring the Continent since the May of 1912.  According to one account, she was in Baden Baden when the Great War broke out. Unlike her brother, an art student off sketching in Bordeaux who was held as a potential spy until the American ambassador to France intervened, Alma made her way via Geneva to Paris. Arriving the end of August of 1914, she nursed the wounded for a month  in the American Ambulance Hospital until October of 1914 when she returned to the US.

What she did between the fall of 1914 and the fall of 1917 is unknown, but in November the French American Committee for the Protection of Children accepted her application.  She set sail for France in January of 1918 and for eight months volunteered in various colonies of refuge children.

However, in the fall of 1918 she returned to the hospital she’d nursed in during 1914, now renamed the American Red Cross Military Hospital No1, where she remained until Feb of 1919 when the last patients were evacuated. As she wrote to her brother, a private in the American Expeditionary Force, in January of 1919 “I am rather tired I confess but I do hate to go home till I have done all that I can in France.” Clarke returned to working with refuge children before sailing home to the United States at the end of July 1919.

Although only a few letters from Clarke remain, she left what she described as “a most unique souvenir” a scrapbook.

“[T]he boys have all drawn and written in it till it is almost full – besides which I have a very interesting collection of hosp. photos. …I cherish them, every one and the album is the pride and joy of my life.”

Clarke’s wartime experiences might have faded into obscurity, acknowledged only generally in the lines historians have penned about the thousands of female Red Cross volunteers who served Europe, had she not arranged before her death to have it, along with her wartime papers and a second album documenting her work with refuge children, placed in Bryn Mawr College Special Collections. Clarke’s scrapbooks, and the others like it that I’ve uncovered, reveal a unique source for exploring the ways individual women responded to gendered imagery of the war, particularly the propaganda aimed at them.

Clarke’s Red Cross album consists of photographs, both official but many taken by her, along with magazine and newspaper clippings, and eleven pages of soldiers own accounts detailing where and how they were wounded. She combined these photographs, laboriously annotated by hand, with clippings of illustrations or poems to create coherent narratives. In this sense, her scrapbook functions not only as a record, but also as a testimonial and a memento mori.

The majority of the clippings derive from the Red Cross Magazine, as effective a propaganda organ as you’d find during the war.  Thousands of American women went to France to serve the Red Cross but what that experience meant to them and to histories of gender is still hotly debated by historians.  Jonathan Ebel outlines three “mythic notions” of womanhood at work during the Great War, “war wives and mothers” on the home front and “sisters in arms” and “new women warriors” overseas.

Clarke’s album suggests a combination of these mythic meanings might best characterize her Great War. While the frontispiece of her Red Cross album is annotated “a mother to guide him,” the oversized nurse who looms over the sleeping soldier seems more guardian angel than mother tucking in her child. Paul J. Meylan, as part of a campaign to address the desperate shortage of nurses, created this “protecting angel.”  The rather beatific visage of the nurse was juxtaposed against the slogan “Nurses of America: You are needed over there!” with the invocation of “over there” making an explicit connection between men’s service in the service and women offering service to the armed services.

In this sense then the image also evokes the other mythic notion that seemed to resonate for Clarke, that of “sisters in arms.”   Indeed Clarke, almost a decade older than the youngest of soldiers, was more older sister than to a mother. The one extant letter from a soldier in her care lauds her as mother, sister and good pal, effectively conflating them all.  In the one letter we have to Clarke from a soldier she nurse, Reginald McClurg writes “you were mother, sister and a jolly good friend to everybody.”   However, echoing the notion of “to guide him” in Clarke’s epigraph, his letter stresses the “reminders of sisterly virtue” that Ebel identifies as part of the “moral suasion” provided by the “sisters in arms” (133). Many a soldier according to McClurg “resisted the pit falls in the “Battle of Paris” on account of coming into contact with such noble good women.”

An article, Sister to a Million Men, that Clarke pasted into her scrapbook in its four page entirety, offers perhaps the greatest insights into how she understood her contribution to the war.

You used to see scores of girls like her on country club porches when the late brilliant sun was slanting in your face as you walked up from the eighteenth green … You thought she didn t have a thought in her head But she had a very definite thought and it’s taken her to France To day you see her against a very different back ground You see her walking very lightly around a hospital ward She has a blue veil on her head now instead of a floppy hat She has a pile of bandages or clean sheets in her hands instead of the parasol Perhaps she went to France with false notions of sentimentality or with an absurd impulsive offer of service which seemed very immature and impractical … but watch her now in the where she rules over a score and a half of wounded men in her own right.

The Sister here of course refers not only to the Anglophone practice of referring to nurses as Sisters, a practice not adopted by American Red Cross workers, but also to the easy familiarity with which the socialite turned nurse jokes with the men on her ward.  “[T]his girl who wouldn’t have washed her own hair before the war” now blithely inquires “feel well enough for that long-promised bath?” and without flinching distracts a young soldier from the pain of having his wounds re-dressed. When at the end of the day, this dedicated volunteer is asked, “Say, sister, was you ever on a farm” and she responds in the affirmative, accidentally betraying herself as “unmarried” yet owning a large farm “all by herself,” the men are momentarily stunned into silence realizing that their handmaiden is an heiress. Little matter though to the selfless auxiliary who continues her rounds.

Minnie Goodnow in War Nursing. A textbook for Auxiliary Nurses explained for the benefit of the society ladies who invaded the profession that “nursing involves a certain amount of mothering, if you will, of handling the person, of a peculiar sort of intimacy” and indeed the idea of single women of a certain social standing bathing men would have been unthinkable before the war. That the sole metaphor Goodnow can invoke is maternal reveals more about mythic womanhood than the lives of women of Clarke’s status, who as the author of a Sister to a Million Men notes, would likely have had a maid or hairdresser to wash her hair before the war, and thus servant might be the more apt comparison. The material sacrifices of women of Clarke’s class were often emphasized, stressing the discomforts they endured and the privilege they voluntarily gave up on behalf of the soldiers. Writing in the Red Cross Magazine about the hospital where Clarke served, a representative of the Women’s Bureau of the American Red Cross observed “the women who work in hospitals these days are saints of the first order. I cannot see how any one can have her feelings torn constantly like that and not go crazy.”

At least some of Clarke’s patients were, like those in the story, made aware of her social standing. Patient Reginald McClurg wrote that all the men knew she was “quite set apart from the regular R.C. nurses” and that “you came over for the real love of the work and prompted by the highest kind of patriotism without any regard to pay.”

McClurg’s remarks highlight the complex class dynamics that existed between trained nurses, largely middle class women, and those who populated the ‘auxiliaries” from “a more elite socioeconomic background.”  If the famed American Friends Ambulance corp drivers attached to the hospital where Clark nursed were known as the Gentlemen Volunteers, then the female volunteers were just as much the heiress corp from the Vanderbilt who endowed the hospital through the society ladies who sponsored individual beds or even entire wards and finally to the women who volunteered there, first expatriate Americans, and then women like Clarke who traveled explicitly to serve, at her own expense, first class of course.

The class based distinctions between the lofty service of auxiliary workers and trained nurses who worked for pay with all the pecuniary imprecations the word work could carry appears repeatedly in documents sent to Clarke by various organizations, all of which lauded her service. It is only the French, perhaps less conversant with the American war rhetoric, that invoked work in her correspondence.

Clarke seems to have understood her service as a combination of sacrifice and sisterliness. Janet Watson has argued that “women’s war work” existed in tension with notions of “service” implicit in the voluntary nature of most women’s participation  “a double meaning of service – both philanthropically to those in need and patriotically to the country in its crisis.” This dual notion is perhaps best seen in a page Clarke created with an image drawn by Charles Dana Gibson for the Red Cross. In Columbia’s Greater Task Columbia as a Red Cross nurse supports a wounded soldier as she escorts him from the battlefield. The image was annotated by a short verse that drew together religious sacrifice and patriotic service.

The Cross a small neat stain where blood has been.
The Cross that whispers hope to fighting men.

 

The Red Red Cross that bears its simple grace

 

in colors of the heart within a firm embrace.

Alongside Columbia aiding the fallen man, Clarke pasted four photographs of the men she nursed, including a group shot of her first ward. On the adjoining page the men in the images have explained where they were wounded, mostly in the battle of the Argonne. A French Soldier includes a not of thanks to Clarke for the care she gave him. On this page is also a photograph of one of the men Clarke cared for the longest.  Frank R. Neidert, son of a meat cutter from a small town near Rochester NY, was just 17 when he was wounded in September of 1918. Severely hurt, he remained at the hospital until it closed, not returning to the US until late February 1919 where he was discharged with a 75% disability.   It is clear Clarke felt particularly protective of him as she noted his age in another photograph of her sitting alongside his bed.

Just as soldiers would sacrifice their lives for comrades in arms, nurses stood ready to do the same for those in their charge. Next to an article praising the bravery of the American soldiers, Clarke has placed a protecting angel image Won’t you help yet another poster created for the Red Cross.  In this example, the nurse fends off the angel of death while using her body to shield a fallen soldier.

The protecting angel as the female equivalent to the Christ like soldier is evident as well in a page that functions as a memento mori. Next to the poem We Shall Not Sleep, illustrated by a lithograph of painting by Philip Lyford that depicts the fallen soldier as a resurrected Christ, Clarke wrote the names of four deceased men, at least one of whom died in her hospital.   She details their burials and notes the location of the gravesites for two of them. Alongside are a photograph of a cross marking a grave that echoes the cross imagery in Lyford’s image, and a clipping of Taps.  The effect is chilling even decades later and it is clear that Clarke felt loss ever bit as much as McCree.

In this sense then, the philanthropic service of the protecting angel overlapped the patriotic service of the sister in arms.  Yet as Janet Watson has argued that while “volunteer nurses … saw themselves as the female counterparts to soldiers”  their service was socially acceptable because it did not challenge “gender hierarchies” and because their role “was both self-sacrificial and explicitly temporary.” 

Yet for Clarke the new role proved anything but temporary. Once she returned home, Clarke threw herself into work on behalf of the Red Cross Speakers Bureau and joined a host of organizations from the Overseas League to the Alliance Francaise which extended recognition in light of “the very great services which you have rendered to the allied cause during the World War.” The parallels between service to the service and service in the service are echoed throughout the correspondence Clarke received from the Red Cross in the years immediately following the war, and its clear that she accepted the parallels drawn between female volunteers and male soldiers. Her hand written notes for speeches about the Red Cross stressed not only the contributions made by the overseas volunteers, but also that while the fighting men may have returned to civilian life,  the Red Cross was “not demobilized” and continued as the “only org[anization] always mobilized.”

The direction of Clarke’s life in the decades after the armistice reveals complexities that any bifurcated analysis of the Great War cannot contain. To to say that Clarke’s life was not transformed by her participation would be absurd. 1923 found Clarke back in France, with the Ladies Auxiliary of the American Legion, working in their school for children of American servicemen who married French women and serving as chairman of the Volunteer Interpreter’s Service during Legion Convention week held to mark the 5th anniversary of the armistice. By 1928 Clarke had become “indispensible in the success of the Paris Posts’ poppy sale.” In the 1930s Clarke, now president of the Paris Post, became a vocal advocate for French wives and children of demobilized soldiers who had abandoned by them. She herself adopted three girls, remaining in France until the mid 1930s, when the winds of war again swept through the continent.

These activities with their strong maternalist overtones are difficult to place on a conservative to liberation spectrum and there are many more “hidden collections” of women like Clarke that provide an intimate glimpse into these women’s Great War. While I initially thought her scrapbook to be a unique archival find, I’ve come to discover, through the internet, at least three more that are quite similar, including the soldiers accounts. I just recently found, by tracing the life of one of the soldiers in her album, that letters to a sister auxiliary nurse, Elizabeth Deeble are archived, which may offer insights into not only another woman’s Great War, but how the service of overseas volunteers was understood by friends and family.

Because of the open and ongoing nature of this research, my history of Alma Clark’s scrapbooks is taking a digital format in which we invite others to remix the scrapbook pages, annotating their finds, and creating multiple narratives of gender in the great war.

The Flower of Allied Manhood

click pop out arrows in lower right corner of image to browse the scrapbook.

Mouse over scrapbook images for dates, place, transcriptions, and annotations.

While the poem, penned and illustrated by Sergeant William E. Shiflet, of Co. C. 18th Regiment of the 1st Infantry Brigade,. appears to be original, he drew on well-established imagery of the Great War.

While the poem, penned and illustrated by Sergeant William E. Shiflet, of company C, 18th Regiment, 1st Infantry, appears to be original, he drew on well-established imagery of the Great War.



The phrase ‘flower of manhood’ is scattered throughout print culture of the nineteenth-century, but it became particularly associated with the fallen men of the Great War when the poppy was adopted an emblem of remembrance, due to the popularity of McCree’s poem which Alma A. Clarke pasted into her album.
In Shiflet’s illustration, however, the poppy becomes not only a memento mori, but also a celebration of the entente between Britain, France, and the United States, as the petals feature the iconography of each nation’s flag.

Shiflet's title “the Flower of the Allies” seems to be more original, although the exact phrase "moving the Flower of the allies into the Aisne sector" in a May 29, 1918 newspaper account reflects the circulation of the “flower” trope in all forms of wartime writing.

Similarly, the line “neath the battle fields of France” also reflects a common image of the Great War. One solder wrote home “men never gave their lives in a nobler cause nor in all the World is there a fairer place to rest than ‘neath the battlefields of France.”

Canadian Poet Edythe Morahan de Lauzon offered a more pacifist interpretation, “NEATH the battlefields of France, Sleep a mighty throng; And o'er their resting place the birds Carol many a song,” while a popular song lamented “beneath the battle fields of France a boy lies sleeping."

 

One page of Alma Clarke's scrapbook seems to function as her own memorial for the fallen soldier who lay buried in France. Alongside the image of In Flanders Fields, Clarke annotated the names and locations of three Pennsylvania soldiers' graves and pasted an photograph of a grave site and a clipping of Taps.
The author of the poem, William Edmond Shiflet (b. 1887) was among the first soldiers of AEF to land in France, fighting in the Luneville trenches in the fall of 1917. January 1918 found him in the trenches of Lorraine. Despite an extended period on the western front, Shiflet emerged with “just a tiny scratch .. not enough to call a wound.”

Shiflet was not so lucky in his next encounter with “Fritz.” Prior to the battle of Cantigny, on May 4, he was gassed for five and a half hours. Blinded for over two weeks, he was hospitalized in Troazie, and released just in time to fight at Soissons on July 17.

“Part of that time there were no officers with my company and I had to take command. Then I would get another officer, for a while, and s-s-st bang – in command again.”

On July 18 Shiflet was "touched on the leg with a machine gun bullet but not enough to go back to a hospital." However, on on July 21 he “came too close to a high explosive shell, and after trying to aviate for a few yards or so,… came to earth with a jar.” That final injury was sufficient to send Shiflet “to this hospital in Newilley … I owe my recovery to the Almighty Dr. Crossan, and a Red Cross nurse, Miss Elizabeth Deeble.”
In November of 1918, while in American Red Cross Military Hospital no. 1, Shiflet wrote a lengthy account of his wartime experiences to his father, which was subsequently published in his hometown newspaper, The Watervliet Record.

His poetic streak is still evident “Many a better man than I had ‘paid in full’ I had no right to expect less." Although Shiflet longed to return home, “I would give a lot to be back with my little woman and enjoy life. I have seen enough of death in its worst form” while convalescing, he assisted his physician, Dr. Crossan, with dressing the wounded “out of my line of duty … but it’s all for Uncle Sam.” Dr. Crossan appears in a photograph of the medical staff Clarke included in her album, although if she was friendly with any particularly physician she left no record of that.

Shiflet appears no where else in Clarke's albums, but his favorite nurse, Elizabeth Deeble, is included in a photograph of the auxiliary nurses in the scrapbook, her presence annotated by Clarke who at least knew her by name.



William E. Shiflet returned home and married Myrtle. He died in May 1950, having lived long enough to register for, but not serve in, the second world war.
Like Clarke, Elizabeth Deeble’s life seems to have been radically altered by her wartime experiences. She and her aviator fiancé had postponed their marriage in order to serve in France (the Red Cross would not accept female relatives of servicemen until very late in the war) Deeble never married. Perhaps her fiancé was killed in action. She kept in touch with William Shiflet, at least for a few years after the war. The Watervliet Record of November 17, 1922 reports that "William Shiflet .. was remember by his former nurse Elizabeth Deeble ... who sent him several pairs of knit socks, a sweeter, and a muffler."

According to her alma mater, Andover Academy, she became a war correspondent during the Spanish Civil War.

Letters she received while serving in France are held at the Chevy Chase Historical Society . Some of her papers seem to be in the Historical Society of Washington, D.C.
References
(if link is provided in text to source, then it is not cited here)
Cover and page 1 AlmaClarke_BMC_001r English WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Page 2 detail of AlmaClarke_BMC_050r English WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Page 4 detail of AlmaClarke_BMC_050r English WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Page 5 all quotes from Shiflet are taken from Letter to Frank E. Shiflet, November 24, 1918, The Watervliet Record January 17,1919, np.

Page 6 AlmaClarke_BMC_026v English WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Page 7 AlmaClarke_BMC_039vr English WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Page 8. Photograph of Elizabeth Deeble, Passport Application April 17, 1919, ancestry.com
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The Great War Begins

click pop out arrows in lower right corner of image to browse the scrapbook.

Mouse over scrapbook images for dates, place, transcriptions, and annotations.

Intro


Alma Adelaide Clarke had been abroad for a year when fighting in the Great War broke out. As the daughter of a well-known artist Thomas Shields Clarke, her adventures warranted recounting by society columnists in both New York City and Washington D.C.

While her younger brother Jack became caught in the initial skirmishes of war, eventually requiring rescue by the American ambassador to France, Alma made her way from Baden-Baden in Germany via Geneva to Paris. Arriving at the end of August of 1914, she volunteered as a Red Cross nurse in the just-opened American Ambulance Hospital in Neuilly-Sur-Seine on the outskirts of Paris.

Alma Clarke remained at the American Ambulance, as it was colloquially known, for only a month before returning to the US. Precisely what she did from the fall of 1914 to the fall of 1917 is unclear, although once the United States entered the war, she began trying to get back to France.
References
Cover - image 1AlmaClarke_BMC_fc English WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Page 1 Headline "Miss Clarke Red Cross Nurse" The Sun., August 22, 1914, Page 9, Image 9, Chronicling America

Page 2 image AlmaClarkeFrench_BMC_0002r French WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Mrs. C.P. Howland, Letter to Alma Clarke, November 12, 1917. Box 1, Folder 2. Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Page 3 image AlmaClarkeFrench_BMC_0003r French WWI Scrapbook, Alma A. Clarke Papers, 1914-1946, Special Collections Department, Bryn Mawr College Library.

Harold Morton Kramer, .With Seeing Eyes: The Unusual Story of an Observant Thinker at the Front (Lothrop, 1919), 10.

page 4 image AlmaClarkeFrench_BMC_0004ra French WWI Scrapbook, Alma A. Clark Papers. Bryn Mawr College Special Collections.

Lee Meriwether, The War Diary of a Diplomat (Dodd, Mead, 1919), passim.

U.S. Passport Applications, 1795-1925, record for Alma A. Clarke, 17 December 1917 {original electronic data obtained from ancestry. com]
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